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I am a freelance
editorial and travel photographer, currently based in Almaty, Kazakhstan and Madison, Wisconsin. For
the past 6 years, I was a staff photographer for the University of
Wisconsin. Before that, I lived in Almaty, where I worked as a
photojournalist for Associated Press. During my time in Kazakhstan, I
photographed and co-authored the guidebook Stranded on the Silk Road. Recently,
I've shot for local and national publications from Psychology Today to the
Harvard University Press, and for clients including Walgreens, UNICEF, and the Eurasia
Foundation.
Through my
photographs, I seek to tell human stories that would otherwise go unseen and
unheard. I take portraits of people and photos of the beauty I find around me. I
take pictures both to record the world as I see it, and to change the world I
see. I am equally an artist and an activist, and these two tracks of my life are
constantly cross-pollinating.
In addition to
working as a photographer, in my life I've been a teacher, a writer and a
peripatetic traveler. I've worked as an election observer, an environmentalist
and a pre-press color expert. Through it all, I keep taking pictures.
My photography
pushes me to examine the world more deeply — to notice the details, the texture,
the moods, the light. It pushes me to stay open, focused and flexible, in order
to catch the essence of a subject in a fleeting instant. There is something
magical about that challenge. And so I make photographs nearly every day. On
this website, you'll find photos I've made for clients, for the University of
Wisconsin, and for myself. I hope you'll see our world a little differently
after looking at my photographs. If so, I've done my job.
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This all started in India. It was 1996, and we were in Gujarat, and the World Bank was finishing a dam on the Narmada River. Upstream, in the tribal villages of Maharashtra, I met activists fighting the dam that would flood their homes. I photographed a young woman, Kamla Yadav, who had announced she would drown in her yard rather than be forcibly resettled.
Later, after Yadav and others had indeed drowned, and my portrait of her appeared in Indian newspapers, I realized this is what I should be doing — telling people’s stories through pictures, making activism through art, documenting this funny-tragic-crazy world of ours.
I’ve been making photos ever since. As I scan old work and upload new material, we’ll continue to add photos to these pages. Thanks for stopping to look.
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